Fire in a Canebrake Essays -- Literary Analysis, Laura Wexler

In her Fire in a Canebrake, Laura Wexler describes an important event in mid-twentieth century American race relations, long ago relegated to the closet of American consciousness. In so doing, Wexler not only skillfully describes the eventthe Moores pass over lynching of 1946but incorporates it into our understanding of the present world and past by retaining the complexities of doubt and deception that surrounded the event when it occurred, and which still confound it in historic records. By skillfully navigating these currents of deceit, too, Wexler is not only able to portray them to the reader in full form, but also historicize this muddled record in the setting of certain bigger historical truths. In this fashion, and by refusing to cede to a desire for closure by drawing easy but inherently flaw conclusions regarding the individuals directly responsible for the 1946 lynching, Wexler demonstrates that she is more interested in a larger historical picture than the single event to which she dedicates her text. And, in so doing, she rebukes the doubts of those who question the immenseness of bringing up the lynching, lending powerful motivation and purpose to her writing that sustains her narrative, and the audiences attention to it.This motivation and purpose atomic number 18 most apparent(a) in the quality of Wexlers writing, made outstanding by her painstaking awareness throughout the text of, firstly, such fundamental things as setting and the submission of characters, and, secondly, the overarching threads of, for instance, national and state politics, which set the larger stage for the story. In her text, Wexler briefly mentions a prominent figure in the NAACP, Walter White, noting his biting statements regarding the lynching a ... ...lusionsnot only in regards to who the lynchers were, but also in regards to the identities of the victims (230), and, worst of all, whether or not the issues central to the Moores Ford lynching have been settled, a nd are past. In these senses, conclusiveness about these issues encourages falseness, precludes justice, and makes the audience let go of things that ought not to be let goand this, short of the lynching itself, is one of the greatest doable wrongs (244). It is by refusing to conclude, then, that Laura Wexler achieves the greatest success of her outstanding narrative, and is able to successfully navigates the lies and deception of a muddled historical event by adeptly presenting them in the context of larger historical truths. Work CitedWexler, Laura. 2003. Fire in a Canebrake The Last Mass Lynching in America. Scribner 2004. Print